ben peek

Archive for January, 2010

Candy Wednesday

Tuesday, January 12th, 2010

There’s just something violent in this imagery of a giant, red candy cockerel in Russia being carved up by kids:

And, to keep with my candy theme of the day, it appears that there’s a documentary about a guy who invented a fancy jelly bean.

Like in a lot of industries, it appears that the film is focused on his regrets, and the lack of joy his creativity has bought him. It seems that there’s a lot of stories about people who create being unhappy with their creations, or losing out on enjoying the fruits from their work–but maybe I’m just in a particularly cynical mood this morning.

Words Sometimes Have Meaning (or, How I Went to Victoria and Did Not Die)

Monday, January 11th, 2010

In Victoria, they have a new fire warning: catastrophic.

Now, it may be that I’m a backwards sort, but catastrophic seems to me to be a somewhat dramatic statement to lay down because of weather conditions. It promotes images of burnt out cities. Of cannibal children. Of Cormac McCarthy, telling everyone that the Road is a trilogy. Sure, this could happen if fires burst around, but the old warning of ‘extreme’ seemed fine enough to me, and catastrophic seems to be mostly connecting to the fact that governments want to frighten their citizens into doing as they say, which is hardly new, but seems to be lacking less and less subtlety as life goes on.

Here’s a t-shirt called ‘When Geek-ness Goes Retro’

I had a good time in Melbourne, however. I saw some friends, swam in the ocean, went to a wedding, and spent money that has left me largely broke now as the bills move in. I guess when you come back from being away.

Avatar

Sunday, January 10th, 2010

Because I didn’t want to be left out in social situations, I went and saw Avatar.

Firstly, I’ll say that it is a visually impressive film. I’m not actually convinced that the fact that it was in 3D added anything to it, but I’m sure other people would disagree. However, I figure it would be a visually impressive film in 2D or 3D, and I’d argue enjoyable for both.

Unfortunately, however, the film is as stupid as a retarded child writing a 60 thousand word thesis on racial representation. You could say the heart is in the right place, since the film’s message can be boiled down to, ‘Its bad to take things from other cultures, respect people and the planet,’ but that neither makes for an interesting two and a half hours, nor an intelligent one. In fact, there is one point in the film, towards the end, when the general in charge of the military on Pandora (the planet the humans are trying to take over for their minerals) says something like, “We’re going to leave a scar in their racial memory,” and the camera pans over a collection of soldiers who may or may not be Kiwis, African American, and other such people that have cultural memories of this. It’s a small moment, and maybe for a lot of people it didn’t mean much, but to me it actually laid down what was wrong with the film: in that for as much as it wanted to hold a conversation within its background about what we’re doing to our planet now, it neither had the awareness nor the intelligence to do so.

Still, it was pretty.

In case you don’t know much about the film, Avatar follows Jake Sully, a paraplegic ex-soldier who, after learning that his twin brother has died, is offered a job to take his place on Pandora, where he will operate an ‘avatar’ that was designed with the DNA of his dead brother. You may think that such a concept is ripe with interesting plot development, such as merging your mind with the small parts of your brother left behind, with the idea that a cripple could have his body back, and more, but for the most part, Cameron touches lightly on the crippled part when Jake first enters the avatar, and then proceeds to do nothing much. He has had the unfortunate choice of naming his protagonist Sully, because he will sully the world of the natives, and he does it a second time with Sigourney Weaver’s Grace, who is the one human who fully understands the beauty of the native world. Well, it was good to see Weaver in the film, at any rate, since her chain smoking, cynical doctor–who in the human world has anything but ‘grace’–is given more life by her performance that it probably deserves.

At any rate, on Pandora there exists a culture of native, blue skinned Indians. I mean, aliens. Outside the presence of Michelle Rodriquez as the pilot Trudy, Cameron’s human protagonists are mostly white–though he colours the background–so its somewhat interesting that the majority of the blue skinned aliens are voiced by African Americans and native Americans. I’m not quite sure if I find this to be a good thing, or if I find it to be kind of a bit dubious, since you can make a reading for both. Still, the culture, which is one of the basic warrior tribe show you’re an adult by subduing and animal and putting your penis in it… wait, I’m not sure where I’m going with that line. It’s a basic culture, I guess is what I’m saying, and it’s pretty much the cliche for bad science fiction and fantasy. In the end, Sully who has sullied their world, will realise how beautiful and natural they are, and turn against the greedy humans. To show that they’re serious, they’ll paint a spaceship with tribal war paint and put their penis in a giant bird. After doing such a thing, all the other blue skinned tribes will marvel at the amazing sex with the bird…

I really have to let that go.

Yet, you know, for all the criticisms I have for the plot, the characters, and the themes of the film, I did actually enjoy watching it. It’s a very pretty film, and there’s a lot in it for you to watch, and to admire from a design perspective. Cameron’s refusal to let anything of intelligence enter the film keeps the two and a half hours of it moving, and it really is possible to just sit back, stare at the prettiness of it, and switch off.

Away.

Saturday, January 2nd, 2010

Well, it’s only the second of the new year, but some time in the morning in hours I’m sure don’t exist, I’ll be catching a flight and going to D’s wedding in Melbourne.

Be cool.

2010

Friday, January 1st, 2010

So, it’s 2010.

I really, really thought I’d wake up with a rocket pack today.